VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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VELAZQUEZ, Diego Rodriguez de Silva y Pontifex oil painting


Pontifex
mk237 1650 Oil on canvas 82x71.5cm
Painting ID::  54778 		VELAZQUEZ, Diego Rodriguez de Silva y
Pontifex
mk237 1650 Oil on canvas 82x71.5cm
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Venus oil painting


Venus
mk237 1650 Oil on canvas 122.5x197cm
Painting ID::  54779 		VELAZQUEZ, Diego Rodriguez de Silva y
Venus
mk237 1650 Oil on canvas 122.5x197cm
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus oil painting


Detail of Venus
mk237
Painting ID::  54780 		VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Venus
mk237
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus oil painting


Detail of Venus
mk237
Painting ID::  54781 		VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Venus
mk237
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Cavalier oil painting


Cavalier
mk237 1645-1650 Oil on canvas 67x56cm
Painting ID::  54783 		VELAZQUEZ, Diego Rodriguez de Silva y
Cavalier
mk237 1645-1650 Oil on canvas 67x56cm
   
   
     
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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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